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This is some of my work. I wrote and performed all the music unless otherwise noted. A lot of these were created for theater plays written by Ximena Faralla -who owns "On the Road Theatre Company". Instead of having full names these pieces have codes most of the time. For example, "3m2" means "Scene 3, music 2". This is very much like film music where reel and cue number are indicated. Note: Being a musician/sound engineer, sound quility is very important to me. These adio clips might take a little while to load on slow connections because they were encoded in high quality. Star Trek, Deep Space 9 - Production: Film Scoring
This is one of my favorite cues. Light orchestration, French horns, harp, percussion, and flutes. This cue goes with the intro credits for Star Trek Deep Space Nine.Student project composed while attending Berklee. Running time 01:10 2m4 - Production: Snow White
This plays as the witch is preparing a magic potion. Features a bass clarinet line over a string orchestra. Inspired in the Chocolat soundtrack by Rachel Portman. Running time 00:48Wedding (extended version) - Production: Romeo and Juliet
Underscore for Romeo and Juliet's wedding. very light orchestration featuring harp, flutes, oboes, and soprano. Running time 01:17Dwarf's Theme - Production: Snow White
Lazy Dwarf's theme. This is my favorite Snow White theme. So simple, yet so nice! Running time 00:18Magic Ride - Production: Aladdin
An underscore variation on the song This Could Work Out. Light orchestration featuring piano. Running time 01:141m4 - Production: Beauty and the Beast
Underscore composed mainly of three different moods. This plays as the witch transforms the prince into the Beast.A combination between orchestra, choir, and drums. Running time 01:24 1m2 (fragmento) - Production: Beauty and the Beast
Fragment coming from a comic scene between the prince and his servants. Full orchestra. Running time 02:16The Red Death - Production: Red Death
This was composed for the story The Red Death by Edgar Allan Poe. Running time 10:23Witches Chant - Production: Witches of Inkland
This cue features percussion samples (plastic and metallic garbage cans), percussion, strings, harp, and faggot. Running time 01:022m3 - Production: Beauty and the Beast
Underscore cue featuring string orchestra pizzicatos and other effects. Running time 00:433m1b Jump - Production: Beauty and the Beast
Underscore that plays during an interactive part with the audience, the Beast, and his servants. Running time 00:233m1 (fragmento) - Production: Beauty and the Beast
Voice over: Matias RobertoScary music with jazz surprise ending for a scene change. full orchestra plus organ. Running time 05:02 3m2 - Production: Beauty and the Beast
The Beast gets mad at a servant and throws a fit.Full orchestra and drums. Starts with a lot of energy and mellows down by the end, where the Beast calms down. Running time 00:33 4m3 Dolor y Chaplin - Production: Beauty and the Beast
Scene change music. After the string orchestra with an oboe line ends -scene changes-, you can hear a honky-tonk piano mimicking a Scott Joplin sound. Running time 00:40The Right Time - Production: Music Production and Engineering
Written and performed by: Ruth Ling (Singapore)Producer: Ruth Ling (Singapore) Engineer: Julian Vidal This song is part of a three song set we recorded along with Do I Cry, and This Fool. Out of the three songs this was the one that got the most time devoted to as far as production goes. Student project recorded while attending Berklee. Running time 04:24 5m2 - Production: Beauty and the Beast
String orchestra with a fagot in the high register. One of the secondary leit motives in the play. Running time 00:41Intro (fragmento) - Production: Beauty and the Beast
This fragment comes right after the play's introduction. This is a comic scene between the prince and his two servants. Running time 01:13They Share the Afternoon - Production: Beauty and the Beast
Beauty and the Beast share the afternoon together. Everything they do is tightly accompanied by the music. Running time 02:32Enter Mina - Production: Dracula
Mina's theme. Running time 00:56Dracula's Monologue - Production: Dracula
Underscore that plays under Dracula's intro monologue. Running time 02:02Kid's Fight - Production: Dracula
Very mickey-mousing cue that plays as two little girls fight. Running time 00:29Strengths and Weaknesses - Production: Music Production and Engineering
Written and performed by Kelly Buchanan (USA)Guitar: Joshua Sadlier Brown (Canada) Bass: Tony Grey (UK) Piano: Ruslan Sirota (Israel) Producer: Julian Vidal Engineer: Julian Morelli (Argentina) Live to 2 tracks. This is my favorite Kelly Buchanan song. Make sure to visit her website (see links page); she has some really cool music there. Student project produced while attending Berklee. Running time 03:48 Scene Change 1 - Production: Little Women
Sad piano solo for a scene change. Running time 01:00Clockwork World - Production: Music Production and Engineering
Written and performed by: Chris Hobson (USA)Producer: Julian Vidal Engineer: Aldo Lamanna (Colombia) Student project produced while attending Berklee. Running time 05:26 In the Forest - Production: Music Production and Engineering
Written and performed: (see description)Producer: Alexander Sartakov (Russia) Engineer: Julian Vidal This is by far the weirdest and most demanding project I had to record while at college. Alex's idea was to record a bunch of people improvising so that we could then edit the raw material and create another piece of music that had nothing to do with the original. Well, it looks like "a bunch" has a whole other meaning to Alex. In the first recording session for this project we ended up cramming an electric guitar player, a MIDI guitar player, a DJ (turntables and all), a bass player, a pianist, a keyboardist, a sax player, and two drummers (yes, two) into Berklee's studio A. The first take was so long that it went over the available recording time for a full length 2 inch tape, so we had to pull up ProTools and create a session on the fly, switch recording mediums while the players were still playing, so that we wouldn't lose any second of music. This session was followed by more drum recording sessions, DJ, guitar, bass, and whatnot sessions. Never ending editing and mixing hours were needed to complete this strange, strange music. Student project recorded while attending Berklee. Running time 15:40 Let the Rain - Production: Music Production and Engineering
Written and performed by: Lee ? (USA)Producer: Ruth Ling (Singapore) Engineer: Julian Vidal Student project recorded while attending Berklee. Running time 04:46 End of the Era - Production: Music Production and Engineering
Written and performed by Natural Vibes (USA)Producer: D.C. (Bahamas) Engineer: Julian Vidal Live to 2 tracks recording. So many musicians crammed into such a tiny room... Student project recorded while attending Berklee. Running time 05:09 Prelude - Production: Music Production and Engineering
Piano written and performed by Jose Bevia (Spain)Producer: Jose Bevia (Spain) Engineer: Julian Vidal An excellent solo piano prelude. The original idea was to get a more "classic" sounding piano, but it was very difficult to get with the actual Yamaha piano available. Running time 02:27 Do I Cry - Production: Music Production and Engineering
Written and performed by: Ruth Ling (Singapore)Producer: Ruth Ling (Singapore) Engineer: Julian Vidal This song is part of a three song set we recorded along with This Fool, and The Right Time. This is an orchestral ballad. We would have loved to have a bigger orchestra for this song. Since we didn't, we ended up doubling some sections to get a thicker sound. Student project recorded while attending Berklee. Running time 04:18 This Fool - Production: Music Production and Engineering
Written and performed by: Ruth Ling (Singapore)Producer: Ruth Ling (Singapore) Engineer: Julian Vidal This song is part of a three song set we recorded along with Do I Cry, y The Right Time. Student project recorded while attending Berklee. Running time 02:51 5m1 - Production: Snow White
Light suspense cue. Features fagot, clarinet, oboe, and strings. Running time 00:25Snow White's Theme - Production: Snow White
Snow White's theme in a Mozart-like style. Running time 00:18Aura - Production: Music Production and Engineering
Written by Jose Bevia (Spain)Piano & sequencing: Jose Bevia (Spain) Drums: Mauricio Zottarelli (Brazil) Producer: Jose Bevia (Spain) Engineer: Julian Vidal Apart from being an excellent person and a piano virtuoso, Jose is one of the most detailed and professional musicians when it comes to studio recording. Student project recorded while attending Berklee. Running time 06:15 Scene 5 Different Styles (Ambient Variations) - Production: Dracula
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