Music Portfolio
Star Trek, Deep Space 9
This is one of my favorite cues. Light orchestration, French horns, harp, percussion, and flutes. This cue goes with the intro credits for Star Trek Deep Space Nine. Student project composed while attending Berklee.
2m4
This plays as the witch is preparing a magic potion. Features a bass clarinet line over a string orchestra. Inspired in the Chocolat soundtrack by Rachel Portman.
Wedding (extended version)
Underscore for Romeo and Juliet's wedding. very light orchestration featuring harp, flutes, oboes, and soprano.
Dwarf's Theme
Lazy Dwarf's theme. This is my favorite Snow White theme. So simple, yet so nice!
Magic Ride
An underscore variation on the song This Could Work Out. Light orchestration featuring piano.
1m4
Underscore composed mainly of three different moods. This plays as the witch transforms the prince into the Beast. A combination between orchestra, choir, and drums.
1m2 (fragment)
Fragment coming from a comic scene between the prince and his servants. Full orchestra.
The Red Death
This was composed for the story The Red Death by Edgar Allan Poe.
Witches Chant
This cue features percussion samples (plastic and metallic garbage cans), percussion, strings, harp, and faggot.
2m3
Underscore cue featuring string orchestra pizzicatos and other effects.
3m1b Jump
Underscore that plays during an interactive part with the audience, the Beast, and his servants.
3m1 (fragment)
Voice over: Matias Roberto Scary music with jazz surprise ending for a scene change. full orchestra plus organ.
3m2
The Beast gets mad at a servant and throws a fit. Full orchestra and drums. Starts with a lot of energy and mellows down by the end, where the Beast calms down.
4m3 Dolor y Chaplin
Scene change music. After the string orchestra with an oboe line ends -scene changes-, you can hear a honky-tonk piano mimicking a Scott Joplin sound.
The Right Time
Written and performed by: Ruth Ling (Singapore) Producer: Ruth Ling (Singapore) Engineer: Julian Vidal This song is part of a three song set we recorded along with Do I Cry, and This Fool. Out of the three songs this was the one that got the most time devoted to as far as production goes. Student project recorded while attending Berklee.
